Deadline: 30 May 2020
\nCall for entries<\/p>\n
1st International Mail Art Call – PhotoGraphein
\nTheme: \u00e2\u20ac\u0153In what I see, the marks of history that I perceive\u00e2\u20ac\u009d<\/p>\n
Seeing allows us to frame the world and register it. The look represents a attentive perception of details, the marks that historical time leaves in our daily routes, making it possible to evaluate the present and plan the future.<\/p>\n
The 1st International Mail Art Call, promoted by the PhotoGraphein – Center for Research in Photography and Education, from the Center of Arts of the Federal University of Pelotas (UFPel, Brazil), proposes to each participant to send photograph(s) in 15 x 10 cm format, pure or hybrid, in response to the theme: \u00e2\u20ac\u0153In what I see, the marks of history that I perceive\u00e2\u20ac\u009d.<\/p>\n
Hybrid photography refers to images with interventions, be it painting, drawing, collage, etc., on the photographic base. Postcards can be enveloped or not. The works will be exposed during the \u00e2\u20ac\u0153II MEETING FROM PINCEL TO PIXEL: Images in debate\u00e2\u20ac\u009d, to be held between the June 24 and 26, 2020, in Pelotas, Brazil. The images will not be returned and will later be organized in an e-book with free distribution.<\/p>\n
Deadline for posting: May 30, 2020<\/p>\n
Send to:<\/p>\n
A\/C Convocat\u00c3\u00b3ria Arte Postal Facebook page: fb.me\/mailartphotographein<\/p>\n — <\/p>\n","protected":false},"excerpt":{"rendered":" Deadline: 30 May 2020 Call for entries 1st International Mail Art Call – PhotoGraphein Theme: \u00e2\u20ac\u0153In what I see, the marks of history that I perceive\u00e2\u20ac\u009d Seeing allows us to […]<\/p>\n","protected":false},"author":1,"featured_media":10264,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,26],"tags":[],"class_list":["post-10263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-mail-art","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/10263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10263"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/10263\/revisions"}],"predecessor-version":[{"id":10265,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/10263\/revisions\/10265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/10264"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nR. Alfredo Rodrigues, 425\/35
\n96205-120 Cassino Rio Grande RS Brazil<\/strong><\/p>\n