{"id":11323,"date":"2021-12-14T14:22:25","date_gmt":"2021-12-14T12:22:25","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=11323"},"modified":"2022-02-15T12:49:32","modified_gmt":"2022-02-15T10:49:32","slug":"call-the-lume-melbourne-digital-art","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=11323","title":{"rendered":"call: The LUME Melbourne – Digital Art"},"content":{"rendered":"

Deadline: 31 January 2022
\nCall for entries<\/p>\n

THE LUME Digital Art Program
\nWe are now inviting artists to submit works for THE LUME 3000sqm digital art gallery. <\/p>\n

Grande Experiences invites artists and collectives to pitch digital artworks for this year’s Digital Arts Program. This program aims to foster and celebrate the talent of established and emerging digital media artists, by providing a highly visible, powerful showcase on the world stage.<\/p>\n

Each successful piece will be awarded financially and given an opportunity to showcase their original digital artworks. Selected artworks will be showcased inside several large-scale permanent digital art galleries around the world, known as THE LUMEs. <\/p>\n

One of the first stops will be THE LUME Melbourne, a 3000 square metre, 11-metre-tall digital art gallery, which welcomes over 16,000 visitors each week. THE LUME Indianapolis will follow, with more sites to come.<\/p>\n

As part of the Digital Arts Program 2022, there may be the opportunity for Grande Experiences\u00e2\u20ac\u2122 NFT business to represent selected artists and facilitate the promotion and sale of NFT (Non-Fungible Token) digital artworks created as part of the Digital Arts Program.<\/p>\n

For more information, visit https:\/\/thelume.com\/melbourne\/digital-arts-program-2022\/<\/a><\/p>\n

—
\n\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Deadline: 31 January 2022 Call for entries THE LUME Digital Art Program We are now inviting artists to submit works for THE LUME 3000sqm digital art gallery. Grande Experiences invites […]<\/p>\n","protected":false},"author":1,"featured_media":11324,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-11323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11323"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11323\/revisions"}],"predecessor-version":[{"id":11325,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11323\/revisions\/11325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/11324"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}