https:\/\/www.puntoyrayafestival.com\/en\/blog\/articles\/2022\/15<\/a>
\nYou just need to REGISTER and fill out the FORMS to submit FILMS and create ARTIST PROFILES in your User Account.<\/p>\nThe eighth edition of PUNTO Y RAYA FESTIVAL will take place in October 2023 in Portugal. <\/p>\n
GENERAL RULES<\/p>\n
\u00c2\u00b7 The films must be made ENTIRELY with ABSTRACT IMAGERY, avoiding representation. That is: no cars, no people, no landscapes, no texts… only Dots & Lines, Form and Colour as ends in themselves.
\n\u00c2\u00b7 You can use any technique you want: drawing, video composition, cgi, scratch, op\u00c2\u00b7art, stop\u00c2\u00b7motion, camera\u00c2\u00b7less…
\n\u00c2\u00b7 The Soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non\u00c2\u00b7narrative voices [that is, no lyrics!].
\n\u00c2\u00b7 Maximum running time is 8 minutes.
\n\u00c2\u00b7 Opening and\/or Closing Credits are welcome.
\n\u00c2\u00b7 Films must have been produced after 2017 (inclusive).
\n\u00c2\u00b7 We kindly request authors to enter their film\/s in FULL HD \/ 1080p (1920 x 1080 \/ progressive scan). If you have a DCP version, please specify so in the entry form and we will request a copy if the film is selected.
\n\u00c2\u00b7 You must provide a direct download link (or via FTP) to your work, as we need offline access to it. Submitted works without a download link might be disregarded.
\n\u00c2\u00b7 Our preferred formats are .MOV | .MP4. Please, use none or high quality compression whenever possible.<\/p>\n
ELIGIBILITY<\/p>\n
All people in the world are eligible to participate in this festival, whatever their age and formation. There is no entry fee.
\n\u00c2\u00b7 APPRAISEMENT CRITERIA<\/p>\n
\u00c2\u00b7 The intrinsic relationship between the Visual and the Sound tracks, and the quality and depth of the exploration of such relationship (40%).
\n\u00c2\u00b7 The pictorial expressivity of the visuals, in its use of colour\/B&W, form and movement (20%).
\n\u00c2\u00b7 The work and exploration in the soundtrack composition (20%).
\n\u00c2\u00b7 The concept\u00e2\u20ac\u2122s originality; how far and deep does the author take it, independently of whether s\/he is exploring pure conceptual form, aesthetical expression and\/or narrative (20%).<\/p>\n
\u00c2\u00b7 SELECTION<\/p>\n
\u00c2\u00b7 Each author can submit as many works as s\/he pleases, but only up to three works per author may be selected for the Competition.
\n\u00c2\u00b7 Submitting your work does not guarantee exhibition at Punto y Raya Festival nor its inclusion in the PyR TV Platform. The programming of the Competition will be determined by the festival selection committee, and all applicants will be notified of their final decision by email. Please note that only selected works will be featured on our website and\/or PyR TV Catalogue.
\n\u00c2\u00b7 Stills of the selected works and the texts entered during the submission process will be published in our information sheets, website and PyRTV online Catalogue. Accordingly, entrants are respectfully requested to prepare graphics and texts meticulously, and to submit the stills and avatars in high resolution.
\n\u00c2\u00b7 Seeking to build the most comprehensive Resource Centre in the genre, MAD reserves the right to publish submitted information and images of some of the non-selected works as part of the PYRTV Catalogue. MAD will not uploard nor publish any of the submitted films through a PyR media platform; only links to works published by the artists themselves -on either Vimeo or Youtube- will be included.
\n\u00c2\u00b7 The organisation will also devise teasers for TV and internet broadcasting, featuring excerpts from the selected films. These trailers are strictly to promote the event.<\/p>\n
AWARDS<\/p>\n
\u00c2\u00b7 Our international jury will award three Prizes, and might also give one Honourable Mention at their own discretion. Their verdict is final.
\n\u00c2\u00b7 There will also be an Audience Award.
\n\u00c2\u00b7 This year\u00e2\u20ac\u2122s prizes and awards will be posted on our website as soon as we reach an agreement with the sponsors and collaborators.<\/p>\n
ENTRY RIGHTS<\/p>\n
By participating in this call, the author conveys the non-exclusive rights to screen his\/her material at the Festival.<\/p>\n
The organisers of Punto y Raya Festival desire to make the results of the competition accessible to as large an audience as possible. To achieve this we are consolidating an international exhibition platform, encompassing over 50 cities.
\nA compilation featuring the finalist and awarded films under the title “The Best of PyR 2021” will be screened at some of these venues. The creators will be contacted in due time to discuss the details.<\/p>\n
ACCEPTANCE OF THE RULES<\/p>\n
Submitting your film\/s to this call entails the acceptance of these terms and conditions, as well as the interpretation and decisions of the festival selection committee and jury. Any issues unforeseen in these rules will be sorted out by the festival organisers.<\/p>\n
By taking part in our call, participants confirm being the owners of any license, copyrights and image\/sound rights. MAD and all other institutions involved decline all legal responsibility for the films and their content.<\/p>\n
![\"\"](\"https:\/\/netex.nmartproject.net\/wp-content\/uploads\/2022\/07\/23_call-entries.jpg\")
<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Deadline: 1 July 2023 Call for entries 8th Punto y Raya Festival 2023 free online submissions. This call for entries is open to short films made ENTIRELY with ABSTRACT (non-representational) […]<\/p>\n","protected":false},"author":1,"featured_media":11581,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[110,156,84,7],"tags":[],"class_list":["post-11580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-film-video","category-fee-no","category-festival","category-filmvideo","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11580"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11580\/revisions"}],"predecessor-version":[{"id":11582,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/11580\/revisions\/11582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/11581"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}