Outlining text:<\/p>\n
We’re looking for digital artists working in all media to interpret
\nArtificial Intelligence in its broadest sense. Thirty artists will be
\nselected for exhibition. Free entry. Great networking opportunity.<\/p>\n
Curated by Danish artist and photographer Kasper Bergholt in
\ncollaboration with the Copenhagen Chronotopes Art Gallery, this
\ninternational sub-exhibition invites visual artists working in both
\ndigital and physical mediums to explore poetic, dream-infused spaces at
\nthe intersection of technology and imagination.<\/p>\n
Inspired by Nick Cave\u2019s 2024 song Cinnamon Horses, the curatorial theme
\nevokes ethereal worlds: horses that dance beneath strawberry moons,
\nwander castle ruins, and emerge in turpentine trees.<\/p>\n
These surreal visions serve as a launching point for the exhibition\u2019s
\ncentral question:<\/p>\n
\u201cWhat happens when AI dances, strolls, is found?\u201d<\/p>\n
Participating artists are invited to respond through still images, be it
\na single artwork or a cohesive series of up to six. All image-making
\ntechniques are welcome: from photography, painting, and mixed media to
\ngenerative art, graffiti, calligraphy, and more.<\/p>\n
Participating artists are invited to respond through still images, be it
\na single artwork or a cohesive series of up to six. All image-making
\ntechniques are welcome: from photography, painting, and mixed media to
\ngenerative art, graffiti, calligraphy, and more.<\/p>\n
The Wrong Biennale is an independent, non-profit, multicultural,
\ndecentralized, and collaborative art biennial created to showcase
\ndigital art to a global audience, and now grown into a massive
\ninternational community and a reference in the digital art scene.<\/p>\n
Entry fees: no<\/strong><\/p>\n Contact: Deadline: 15 September 2025 Call for entries Moons, Castles, Trees | AI Chronotopes | The Wrong Biennale 2026 Call for digital artists to join the world’s perhaps largest digital exhibition […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[127,3],"tags":[],"class_list":["post-12865","post","type-post","status-publish","format-standard","hentry","category-biennial","category-calls-general","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/12865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12865"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/12865\/revisions"}],"predecessor-version":[{"id":12867,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/12865\/revisions\/12867"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\njoin@chronotopes.net<\/a>
\nhttps:\/\/chronotopes.net<\/a>
\nhttps:\/\/chronotopes.net\/open-call<\/a><\/p>\n![\"\"](\"https:\/\/netex.nmartproject.net\/wp-content\/uploads\/2025\/08\/kasper-bergholt-neon-demon-scaled-1-1024x681.jpg\")
<\/p>\n","protected":false},"excerpt":{"rendered":"