{"id":6697,"date":"2015-08-27T09:11:14","date_gmt":"2015-08-27T07:11:14","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=6697"},"modified":"2015-08-27T09:11:14","modified_gmt":"2015-08-27T07:11:14","slug":"call-anticipations-transmutations-ecoqueer","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=6697","title":{"rendered":"call: Anticipations-Transmutations- EcoQueer"},"content":{"rendered":"<p>Deadline: 13 September 2015<br \/>\nCall for entries<\/p>\n<p><strong>Anticipations-Transmutations- EcoQueer-<\/strong><\/p>\n<p>Within the framework of the Bandits-Mages Encounter 2015, and more precisely in the seminar about Eco-queer, Transmutations &#038; Anticipations; Bandits-Mages has trusted on us the elaboration of a curatorial program.<br \/>\n<!--more--><\/p>\n<p><a href=\"http:\/\/quimerarosa.net\/anticipations\/\" target=\"_blank\">http:\/\/quimerarosa.net\/anticipations\/<\/a><\/p>\n<p>Within this framework we are going to develop a postporn short-films programme. You are invited to explore the possibilities of a left hand fisting in the darkness of the planet Winter; we call to those dispossessed of the human identity to show their BDSM relationships with strawberry-aloe on Anarres; we invite you to a change of climax with your stardust; and we remind you that the name for World is Forest.<\/p>\n<p>We invite you to explore transmutations &#038; anticipations possibilities offered by the Ecosex movement initiated by Elisabeth Stephens and Annie Sprinkle, the postporn, the feminist sci-fi, the cyborg covens, and the vampire knowledges\u00e2\u20ac\u00a6<\/p>\n<p>We will pay special attention to the works where the sexual representations\/practices that revolve around the production of denaturalised identities: the hybrid, the wretched, the borderline, the monster, the bastards, the chimerical, the mixed, the abnormal\u00e2\u20ac\u00a6<\/p>\n<p>These works can belong to any kind of audiovisual genre.<\/p>\n<p>Info:<\/p>\n<p>\u00e2\u20ac\u201c The videos are required to last a maximum of 09\u00e2\u20ac\u212259\u00e2\u20ac\u009d (it could be a fragment of a longer work).<br \/>\n\u00e2\u20ac\u201c You can present more than one video.<br \/>\n\u00e2\u20ac\u201c All the videos presented should be free license (copyleft or creative commons) Works with copyright will not be accepted.<br \/>\n\u00e2\u20ac\u201c The technical information must be filled in English (and in French if you feel like it) and mailed as an attachment together with the link of the video (and the password in its case) to: <a href=\"mailto:contact@quimerarosa.net\">contact@quimerarosa.net<\/a><br \/>\n\u00e2\u20ac\u201c For the selection process, the videos reception will be only made online (uploaded to vimeo, youtube or similar platform, or your website; if the video is not available for the public you can send us the password or the link to visualize it). Postal mailing not accepted.<\/p>\n<p>The deadline is the 13th of September of 2015 at 23:59.<\/p>\n<p>The selection of videos will be announced on 15 October<br \/>\nThe screening will be on 15 November 2015<\/p>\n<p><strong> Entry form<\/strong><\/p>\n<p>Tech info: (in English)<br \/>\nTitle:<br \/>\nAuthor:<br \/>\nLanguage:<br \/>\nCountry:<br \/>\nYear:<br \/>\nLicense:<br \/>\nDuration:<br \/>\nyour website:<br \/>\nSynopsis (max. 300 characters, including spaces):<br \/>\n1 pic in two resolutions: 300dpi (HD-Print Quality) and 72dpi (Web Quality)<\/p>\n<p>\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p>As lubricant-bibliographical inspiration, we have selected the texts that could be of<br \/>\ngood use, not so much as a reference, but rather as a lubricant inspiration or as possible<br \/>\nlines of humid leaks. The majority of these texts can be found online, you will find links in<br \/>\ndifferent languages. (links to the book in the open call)<\/p>\n<p>\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p>\u00e2\u20ac\u0153Anthropocene, Capitalocene, Chthulucene\u00e2\u20ac\u201dStaying with the Trouble\u00e2\u20ac\u009d, Donna Haraway. video EN<br \/>\n\u00e2\u20ac\u0153Can the subaltern Speak?\u00e2\u20ac\u009d, Gayatri C. Spivak. EN, ES<br \/>\n\u00e2\u20ac\u0153The Companion Species Manifesto: Dogs, People, and Significant Otherness\u00e2\u20ac\u009d, Donna Haraway.<br \/>\n\u00e2\u20ac\u0153Savoirs Vampires @ War\u00e2\u20ac\u009d, Paul B. Preciado. ES, FR<br \/>\n\u00e2\u20ac\u0153Woman, race &#038; class\u00e2\u20ac\u009d, Angela Davis. ES, EN<br \/>\n\u00e2\u20ac\u0153Borderline\/La Frontera: The New Mestiza\u00e2\u20ac\u009d, Gloria Anzald\u00c3\u00baa.<br \/>\n\u00e2\u20ac\u0153Otras Inapropiables\u00e2\u20ac\u009d Feminismos desde las fronteras. Ed. Traficantes de sue\u00c3\u00b1os. ES<br \/>\n\u00e2\u20ac\u0153Methodology of the oppressed\u00e2\u20ac\u009d, Chela Sandoval. EN, ES<br \/>\n\u00e2\u20ac\u0153The left hand of darkness\u00e2\u20ac\u009d, Ursula K. Le Guin. ES, EN<br \/>\n\u00e2\u20ac\u0153The Dispossessed\u00e2\u20ac\u009d, Ursula K. Le Guin. EN, ES<br \/>\n\u00e2\u20ac\u0153Oeuvres Compl\u00c3\u00a8tes\u00c2\u00bb, Ursula K. Le Guin.<br \/>\n\u00e2\u20ac\u0153Deleuze y la brujer\u00c3\u00ada\u00e2\u20ac\u009d, Matt Lee &#038; Mark Fisher.<br \/>\n\u00e2\u20ac\u0153Le monolingu\u00c3\u00afsme de l\u00e2\u20ac\u2122autre\u00e2\u20ac\u009d, Jacques Derrida.\u00e2\u20ac\u0153Caliban and the Witch, Women, the Body and Primitive Accumulation\u00e2\u20ac\u009d. Silvia Federici. EN, ES<br \/>\n\u00e2\u20ac\u0153Entrevista con Cayenne y la Bruja\u00e2\u20ac\u009d, Quimera Rosa. ES<br \/>\n\u00e2\u20ac\u0153Las brujas no son mujeres\u00e2\u20ac\u009d, Quimera Rosa. ES, EN, PT<br \/>\n\u00e2\u20ac\u0153Magic and Technology\u00e2\u20ac\u009d, Pedro Soler. ES, EN, PT<br \/>\n\u00e2\u20ac\u0153Comment se faire un corps sans organes?\u00e2\u20ac\u009d Felix Guattari &#038; Gilles Deleuze. FR, ES<br \/>\n\u00e2\u20ac\u0153King-Kong Th\u00c3\u00a9orie\u00e2\u20ac\u009d, Virginie Despentes.<br \/>\n\u00e2\u20ac\u0153Sex, Power and the Politics of Identity\u00e2\u20ac\u009d. Interview Michel Foucault by B. Gallagher &#038; A. Wilson.EN, ES<br \/>\n\u00e2\u20ac\u0153Do Androids Dream of Electric Sheep?\u00e2\u20ac\u009d, Philip K. Dick.<br \/>\n\u00e2\u20ac\u0153Noise &#038; Capitalism\u00e2\u20ac\u009d, Arteleku AudioLab. EN, ES<br \/>\n\u00e2\u20ac\u0153Cyberfeminist manifesto for the 21st century\u00e2\u20ac\u009d VNS- Matrix. EN<br \/>\n\u00e2\u20ac\u0153Transfeminismos\u00e2\u20ac\u009d, Anthology compilated by Miriam Sol\u00c3\u00a1 &#038; Elena Urko. ES<br \/>\n\u00e2\u20ac\u0153Meeting the universe Halfway\u00e2\u20ac\u009d, Karen Barad. EN<br \/>\n\u00e2\u20ac\u0153Notes on \u00e2\u20ac\u02dcCamp\u00e2\u20ac\u2122\u00e2\u20ac\u009d, Susan Sontag.<br \/>\n\u00e2\u20ac\u0153Manifeste Contrasexuel\u00e2\u20ac\u009d, Paul B. Preciado.<br \/>\n\u00e2\u20ac\u0153Testo Junkie\u00e2\u20ac\u009d, Paul B. Preciado.<br \/>\n\u00e2\u20ac\u0153Entrevista por Jes\u00c3\u00bas Carrillo\u00e2\u20ac\u009d, Paul B. Preciado. ES, PT<br \/>\n\u00e2\u20ac\u0153Biopolitique du Genre\u00e2\u20ac\u009d, Paul B. Preciado.<br \/>\n\u00e2\u20ac\u0153Histoire de la Sexualit\u00c3\u00a9\u00e2\u20ac\u009d, Michel Foucault.<br \/>\n\u00e2\u20ac\u0153Mille Plateaux\u00e2\u20ac\u009d, Deleuze &#038; Guattari.<br \/>\n\u00e2\u20ac\u0153A cyborg Manifesto: Science, Technology and Socialist-Feminism in the Late Twentieth Century\u00e2\u20ac\u009d, Donna Haraway<\/p>\n<p>&#8212;<br \/>\n+++++ Quimera Rosa +++++<br \/>\n<a href=\"http:\/\/quimerarosa.net\" target=\"_blank\">http:\/\/quimerarosa.net<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadline: 13 September 2015 Call for entries Anticipations-Transmutations- EcoQueer- Within the framework of the Bandits-Mages Encounter 2015, and more precisely in the seminar about Eco-queer, Transmutations &#038; Anticipations; Bandits-Mages has [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,3,84,7],"tags":[],"class_list":["post-6697","post","type-post","status-publish","format-standard","hentry","category-audiovisual","category-calls-general","category-festival","category-filmvideo","has_no_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6697"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6697\/revisions"}],"predecessor-version":[{"id":6698,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6697\/revisions\/6698"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}