Deadline: 1 December 2015
\nCall for papers<\/p>\n
Call for Papers
\nInternational Exploratory Workshop des Instituts Experimentelle Design- und Medienkulturen der Hochschule f\u00c3\u00bcr Gestaltung und Kunst FHNW und der GfM-AG \u00c2\u00bbAuditive Kultur und Sound Studies\u00c2\u00ab<\/p>\n
10.\/11. M\u00c3\u00a4rz 2016 – Critical Media Lab Basel, HGK FHNW
\nOrganisation: Felix Gerloff, Shintaro Miyazaki, Sebastian Schwesinger<\/p>\n
Sounding out the Anthropocene. Investigating Sonic Media Ecologies<\/p>\n
The past years have witnessed a shift in media and cultural theory towards an ecological understanding of human and non-human media cultures (Fuller 2005, H\u00c3\u00b6rl 2011, Parikka 2015). Man-made technological infrastructures reshaped the planet earth to an extent that geologists are discussing the establishment a new geological era: the Anthropocene (Crutzen 2002). Conversely, this draws attention to non-human actors, perspectives and ecosystems of animals, insects or machines. An ecological and posthuman approach to auditory media cultures (Volmar\/Schr\u00c3\u00b6ter 2013) might then be fruitful in order to develop new understandings of sonic phenomena and contemporary culture and society in their interdependence with their surroundings and geophysical or technological structures. This also involves including sound technologies and sonic media in the ongoing discourse on sustainability and environmentally conscious design.<\/p>\n
An ecological approach entails investigations of actors and their interrelations with their respective environments in a rather biological understanding as well as in cybernetic and system-theoretical contexts. The work of Douglas Kahn is pioneering in this area in including sound in accounts of contemporary media ecologies on a global scale. In his recent book Earth Sound Earth Signal he investigates the impact of naturally occurring electromagnetism and its sounds on the history of telecommunications, the sciences and arts (Kahn 2013). Jacob Smith\u00e2\u20ac\u2122s Eco-sonic Media applies an ecological critique to the history of sound media technologies with a focus on pre-electronic and non-digital media (Smith 2015).<\/p>\n
To this end the workshop will include keynote lectures by proponents of media ecological research perspectives, working sessions on the basis of prior readings and statements of the participants and live demonstrations of media settings at the Critical Media Lab as complements to conventional conference talks.<\/p>\n
The workshop welcomes contributions that relate to one or several of the following issues as well as submissions that address traditional issues in our field and approach them from an ecological perspective:<\/p>\n
\u00c2\u00b7 sonic ecosystems: auditory media cultures approached in ecological terms<\/p>\n
\u00c2\u00b7 sound and the sensorium: hearing and sound sensors in relation to other senses and sensing devices<\/p>\n
\u00c2\u00b7 the critical potential of sound: sonically challenged notions of space and time (atmospheres, urban space, rhythmicity, deep time)<\/p>\n
\u00c2\u00b7 sounds of the Anthropocene: analyses of concrete encounters and experiences with sonic infrastructures or infrastructural sounds<\/p>\n
\u00c2\u00b7 excavating sonic design practices: case studies of sound design processes that contribute to shaping our soundscape<\/p>\n
\u00c2\u00b7 broadening the spectrum: how do nonhuman sounds and signals challenge our understanding of sound and hearing?<\/p>\n
\u00c2\u00b7 transgressing the audible: models and practices of mediation of sound in multisensorial ecosystems<\/p>\n
\u00c2\u00b7 sonic experimental systems: simulations, modelings, auralisations and their relation to the world<\/p>\n
Proposals for talks (~300 words) can be sent to both Deadline: 1 December 2015 Call for papers Call for Papers International Exploratory Workshop des Instituts Experimentelle Design- und Medienkulturen der Hochschule f\u00c3\u00bcr Gestaltung und Kunst FHNW und der GfM-AG \u00c2\u00bbAuditive […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,11,30,5],"tags":[],"class_list":["post-6820","post","type-post","status-publish","format-standard","hentry","category-calls-general","category-papers","category-sonic-art","category-soundart","has_no_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6820"}],"version-history":[{"count":2,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6820\/revisions"}],"predecessor-version":[{"id":6822,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/6820\/revisions\/6822"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nfelix.gerloff@fhnw.ch<\/a> and
\nsebastian.schwesinger@hu-berlin.de<\/a>
\nuntil the 1st of December 2015. Notifications will be sent out by December 18th.<\/p>\n","protected":false},"excerpt":{"rendered":"