Deadline: 8 July 2016
\nCall for entries<\/p>\n
WHITE NOISE
\nA research event at
\nLondon College of Communication, University of the Arts London
\nNovember 11th – 12th 2016<\/p>\n
3rdSound::Gender::Feminism::Activism research event to take place in London on November 11th and 12th 2016.<\/p>\n
Sound::Gender::Feminism::Activism is a bi-annual research event initially established in 2012 as a network for researchers, artists and performers working within intersectional fields of sound, gender, feminism and activism. SGFA::2012 delivered presentations and audio-visual artworks from thirty-six researchers, artists and performers from the UK, Europe, United States and Australia. SGFA::2014 incorporated performances, lectures, workshops and presentations from over thirty global participants. A publication that celebrates the presentations and participants from the previous two events will be launched at SGFA::2016.<\/p>\n
SGFA::2016 seeks to query an expanded concept of White Noise. Working out from white noise’s original sonic conception of a random frequency, broad-based signal that masks everything else, white noise is all around us. White Noise is what Jennifer Stoever-Ackerman has termed a \u00e2\u20ac\u0153sonic protocol\u00e2\u20ac\u009d an often unquestioned norm based upon \u00e2\u20ac\u0153culturally specific and socially constructed conventions that shape how sound is made, used and interpreted at a given moment\u00e2\u20ac\u009d.<\/p>\n
SGFA::2016 invites submissions for both twenty and ten minute contributions relating to the question;<\/p>\n
How does whiteness, transmitted as an often sub-audible yet ubiquitous frequency, establish and maintain perceptual limits of what and who can be heard and how can this be changed?<\/p>\n
How can we \u00e2\u20ac\u0153confront and broadcast the underlying whiteness of the field and of the generic terms that provide so much currency in it: terms like \u00e2\u20ac\u0153the listener,\u00e2\u20ac\u009d \u00e2\u20ac\u0153the body,\u00e2\u20ac\u009d \u00e2\u20ac\u0153the ear\u00e2\u20ac\u009d and so on\u00e2\u20ac\u009d (Stadler 2015) in ways that do not replicate racism, colonialism and gender violence but rather enable the audible transmission of alternative histories, forms, relations and ways of being.<\/p>\n
SGFA::2016 will expand upon the previous research events through a combination of presentation formats over the course of two days; both twenty minute formal research papers and ten minute emerging researcher\/artist presentations for the sharing of recent or ongoing work are sought.<\/p>\n
This is an open call and we welcome responses from all relevant disciplines and will accept a variety of formats from academic presentations, proposals for artworks and documentation of artworks to more experimental contributions.<\/p>\n
Please send expressions of interest, including the theme, topic and format of your presentation of around 200 words and a short biography of no more than 200 words by Friday 8th July, 2016 to SGFA2016@crisap.org<\/a><\/p>\n