Deadline: 15 November 2016
\nCall for entries<\/p>\n
Reframe: A Symposium On Reality, Virtuality And Nonfiction Media<\/p>\n
Amidst the flurry of techno-utopian hype surrounding Virtual Reality, Augmented Reality, Mixed Reality, Artificial Intelligence, and Machine Learning, little attention has been paid to long-term socio-cultural or neurobiologial impacts of these new technologies. How can theorists, activists and artists develop a useful framework to explore the complex implications of using these technologies?
\nThe ReFRAME Symposium aims to create an intervention into the uncritical excitement about emerging technologies to establish a space for conversations that are not being had. We are looking for presentations on new forms of nonfiction media that feature critical thinking on new technology, aesthetics, activism, practices, platforms and outreach.<\/p>\n
Topics may include but are not limited to: sensory input, VR, creative code, AI, machine learning, the role of the body, methods for engaging subjects, AR, immersion, MR, user interfaces, games, representations of nature, interactive documentary, transmedia, technology and pedagogy, collaborative environments, biomedia, social media platforms, or experiential design.<\/p>\n
We are interested in questions that examine: The Symposium is sponsored by the Integrated Media Arts MFA Program at Hunter College, the Department of Film and Media Studies at Hunter College and the Emerging Media Technologies Program at NYC College of Technology, the Entertainment Technology Department.<\/p>\n Symposium Organizers: Deadline: 15 November 2016 Call for entries Reframe: A Symposium On Reality, Virtuality And Nonfiction Media Amidst the flurry of techno-utopian hype surrounding Virtual Reality, Augmented Reality, Mixed Reality, Artificial […]<\/p>\n","protected":false},"author":1,"featured_media":7599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,3,34],"tags":[],"class_list":["post-7598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-technology","category-calls-general","category-symposium","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/7598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7598"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/7598\/revisions"}],"predecessor-version":[{"id":7600,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/7598\/revisions\/7600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/7599"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00e2\u20ac\u00a2 What are new methods media makers are using to engage communities for social transformation?
\n\u00e2\u20ac\u00a2 How can the economics of data-mining that permeate social media be avoided in this new realm?
\n\u00e2\u20ac\u00a2 What are compelling open source technologies and knowledge practices that advance possibilities for a genuinely free exchange of ideas and experiences?
\n\u00e2\u20ac\u00a2 Does the dominance of an ocularcentric focus of emerging technology in nonfiction hide the affective and embodied potential of immersive media?
\n\u00e2\u20ac\u00a2 What are the ethical implications of immersion and how might we collectively develop a set of best practices?
\n\u00e2\u20ac\u00a2 What strategies are activists using with immersive environments that turn outreach into policy change?
\nPlease submit though tful papers, panel discussions, artworks, workshops and artist talks to imamfaassistant@gmail.com<\/a> prior to November 15th. Include your CV, short bio, and an abstract (500 words or less) of your presentation. Make sure to include your name, title, email, and institutional affiliation (if any). Symposium website: http:\/\/ima-mfa.hunter.cuny.edu\/reframe\/<\/a><\/p>\n
\nMarty Lucas, Associate Professor, Integrated Media Arts MFA Program, Hunter College
\nHeidi Boisvert, Assistant Professor, Emerging Media Technologies Program, NYC College of Technology
\nAndrew Demirjian, Assistant Professor, Integrated Media Arts MFA Program, Hunter College<\/p>\n","protected":false},"excerpt":{"rendered":"