{"id":8082,"date":"2017-05-23T07:15:48","date_gmt":"2017-05-23T05:15:48","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=8082"},"modified":"2017-05-25T07:45:39","modified_gmt":"2017-05-25T05:45:39","slug":"call-virtualities-and-realities-open-fields-2-conference","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=8082","title":{"rendered":"call: VIRTUALITIES AND REALITIES, Open Fields-2 conference"},"content":{"rendered":"<p>Deadline: 7 June 2017<br \/>\nCall for entries<\/p>\n<p>VIRTUALITIES AND REALITIES<br \/>\nThe 2nd Open Fields Conference<br \/>\nand RIXC Art Science Festival 2017<br \/>\nOctober 19\u00e2\u20ac\u201c21, 2017, Riga<br \/>\n<a href=\"http:\/\/festival2017.rixc.org\/\" target=\"_blank\">http:\/\/festival2017.rixc.org\/<\/a><\/p>\n<p>DEADLINE for conference and exhibition submissions EXTENDED: June 7, 2017<\/p>\n<p>VIRTUALITIES AND REALITIES is the theme of this year&#8217;s RIXC Art Science festival in Riga, Latvia, that aims to establish a space for artistic interventions and conversations about the complex implications of immersive technologies. The festival programme will include the 2nd Open Fields conference, workshops, performances and exhibitions presenting the most innovative approaches in artistic research. The festival will take place in October 19\u00e2\u20ac\u201c21, 2017, in Riga&#8217;s most significant contemporary art venues \u00e2\u20ac\u201c kim? Contemporary Art Centre and RIXC Gallery, as well as in the Art Academy of Latvia, and the Latvian National Museum of Art.<\/p>\n<p>VIRTUALITIES AND REALITIES<br \/>\n\u00e2\u20ac\u00a8Immersive technologies coupled with superior virtual environments, artificial intelligence algorithms, faster processors, and biometrics are launching a new era in virtual experiences, entertainment and story telling. At the same time these technologies have the potential for reinforcing stereotypes, contributing to massive economic and social disruptions, and implementing new systems of invasive monitoring and control.\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8 What do these new developments in VR\/AR mean for education, entertainment, social policy, and systems of codified knowledge? Like their predecessors the telephone, television, and mobile phone, what are the impending new vistas and reduced horizons?<\/p>\n<p>Biometrics and the uploading and tracking of personal data spans areas from health care to advertising, with implications for law, criminal justice, entertainment (gaming), education and sports. Machine learning and algorithms are harvesting and making use of big data in new and startling ways. Some of it allows pinpoint accuracy in determining issues of public health, economics, climate change, story telling, political leanings and the migration of populations. What does all this data combined with new technologies mean? What are some current and future artistic strategies that deal with this? Combined with the acceleration of VR\/AR and technologies of immersion, how will societies react?\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<br \/>\nTaking place in the framework of the RISK CHANGE EU Creative Europe\u00e2\u20ac\u2122s project, various festival events will explore relations between \u00e2\u20ac\u0153virtualities\u00e2\u20ac\u009d and \u00e2\u20ac\u0153realities\u00e2\u20ac\u009d in our post-media society. The Open Fields conference will discuss the socio-cultural and neurobiological impacts of virtual and augmented reality, and other immersive technologies. The conference participants will also look at the places and movements from a socio-political perspective, the mapping and charting of migrating cultures particularly people and their data traces. The conference will be complemented by the festival exhibition that will explore the changing role of art in society, its transformative potential, and its relations to the sciences, especially focusing on neomateriality, new aesthetics and other critical qualities of the post-digital.<\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p>CALL FOR PROPOSALS: DEADLINE EXTENDED \u00e2\u20ac\u201c JUNE 7, 2017<\/p>\n<p>By following many requests, we have extended the submission deadline till June 7, 2017. We welcome artists and theorists, academic researchers and creative practitioners to submit the abstracts for CONFERENCE and proposals for EXHIBITION with regards to the following THEMES:<\/p>\n<p>* augmented and virtual reality\u00e2\u20ac\u00a8<br \/>\n* 360-degree video and interactive story-telling<br \/>\n* \u00e2\u20ac\u00a8biometrics, AI and machine learning\u00e2\u20ac\u00a8<br \/>\n* tracing and charting the migrating cultures<br \/>\n* artistic and scientific research practices\u00e2\u20ac\u00a8<br \/>\n* techno-ecological perspective\u00e2\u20ac\u00a8<br \/>\n* neomateriality and post-digital aesthetics<br \/>\n* digital art archives and curating practices<br \/>\n* data visualization and immersive environments\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<\/p>\n<p>Welcome to submit your conference proposal consisting of:\u00e2\u20ac\u00a8<\/p>\n<p>&#8211; keywords 5\u00e2\u20ac\u201c6,\u00e2\u20ac\u00a8<br \/>\n&#8211; an abstract 250 words,\u00e2\u20ac\u00a8<br \/>\n&#8211; biography of the author(s) 200 words each.<br \/>\n\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<br \/>\nAPPLY NOW!<\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p>APPLY FOR CONFERENCE here >: <a href=\"http:\/\/openfields2017.rixc.lv\" target=\"_blank\">http:\/\/openfields2017.rixc.lv<\/a><\/p>\n<p>The Open Fields conference is the annual gathering in Riga, Latvia, for international scholars and artists working at the intersection of arts, humanities and science. The conference was launched in 2016 with the aim to create the Nordic-Baltic region based platform for artistic research. It is taking place in the framework of the RIXC Art Science festival.<br \/>\nThe conference venues this year will be: the Art Academy of Latvia and the Latvian National Museum of Art.<\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p>APPLY FOR EXHIBITION here >: <a href=\"http:\/\/exhibition2017.rixc.lv\" target=\"_blank\">http:\/\/exhibition2017.rixc.lv\u00e2\u20ac\u00a8<\/a><br \/>\nThe Open Fields conference will be complemented by the festival exhibition, presenting the most innovative approaches in artistic research practices. The exhibition will be featuring 25 artworks. It will take place in kim? Contemporary Art Centre. The exhibition will run by November 26, 2107.<\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p>In case of any issues (i.e.with the openconf system), please don\u00e2\u20ac\u2122t hesitate to contact us: <a href=\"mailto:rixc@rixc.org\">rixc@rixc.org\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<\/a><\/p>\n<p>More info \u00e2\u20ac\u201c on the festival website: <a href=\"http:\/\/festival2017.rixc.org\" target=\"_blank\">http:\/\/festival2017.rixc.org\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<\/a><\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p>Conference chairs:<\/p>\n<p>Rasa SMITE \/ RIXC \/ Liepaja University \/ Latvia<br \/>\nEllen PEARLMAN \/ Parsons \/ New School \/ Art-A-Hack \/ ThoughtWorks \/ New York, USA<\/p>\n<p>The International Conference Scientific board:<\/p>\n<p>Lev MANOVICH \/ Cultural Analytics Lab \/ The Graduate Center, City University of New York, USA<br \/>\nJussi PARIKKA \/ Winchester School of Art \/ University of Southampton \/ UK<br \/>\nGeoff COX \/ School of Communication and Culture, Aarhus University, Denmark<br \/>\nKristin BERGAUST \/ Oslo and Akershus University, Norway<br \/>\nLaura BELOFF \/ IT University, Copenhagen \/ Finnish Bioart Society, Helsinki, Finland<br \/>\nLily DIAZ-KOMMONEN \/ Head of Research Department of Media, Aalto University, School of Arts, Design and Architecture, Helsinki, Finland<br \/>\nUrsula DAMM \/ Bauhaus University Weimar, Germany<br \/>\nVytautas MICHELKEVICIUS \/ Nida Art Colony, Vilnius Academy of Arts, Lithuania<br \/>\nMargr\u00c3\u00a9t El\u00c3\u00adsabet \u00c3\u201cLAFSD\u00c3\u201cTTIR \/ Art Education at the University of Akureyri, Iceland<br \/>\nIlva SKULTE \/ Riga Stradins University<br \/>\nRegine DEBATTY \/ we-make-money-not-art.com \/ UK\/BE<br \/>\nPiibe PIIRMA \/ Tallinn University \/ Estonian Academy of Arts, Tallinn, Estonia<br \/>\nRaivo KELOMEES \/ Estonian Academy of Arts, Tallinn, Estonia<br \/>\nAleksandra KOSTIC \/ Kibla \/ Risk Change project \/ Maribor, Slovenia<\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<br \/>\nThe Festival and Exhibition curators: Raitis SMITS and Rasa SMITE \/ RIXC<\/p>\n<p>The Festival is produced by RIXC \/ Riga, Latvia in collaboration with Risk Change \/ Creative Europe&#8217;s project partners.<\/p>\n<p>The Conference is organized by RIXC \/ Riga in collaboration with the Renewable Futures Headquarters \/ Oslo, and Art-A-Hack \/ New York, and Hybrid Lab Nordplus project academic partners: Liepaja University, Aalto University and HiOA, Oslo and Akershus University College of Applied Sciences.\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<\/p>\n<p>Support: EU Programme Creative Europe&#8217;s Risk Change project, Nordplus Hybrid Lab project, the State Culture Capital Foundation of Latvia, Riga City Council, the Ministry of Culture of the Republic of Latvia\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8.<\/p>\n<p>Contact: <a href=\"mailto:rixc@rixc.org\">rixc@rixc.org<\/a>, +371 67228478 (RIXC office), +371 26546776 (Rasa Smite)\u00e2\u20ac\u00a8<br \/>\n<a href=\"http:\/\/rixc.org\" target=\"_blank\">http:\/\/rixc.org\u00e2\u20ac\u00a8<\/a><\/p>\n<p>&#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211; &#8211;<\/p>\n<p><a href=\"http:\/\/festival2017.rixc.org\/\" target=\"_blank\">http:\/\/festival2017.rixc.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadline: 7 June 2017 Call for entries VIRTUALITIES AND REALITIES The 2nd Open Fields Conference and RIXC Art Science Festival 2017 October 19\u00e2\u20ac\u201c21, 2017, Riga http:\/\/festival2017.rixc.org\/ DEADLINE for conference and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,40,103,72,19,62],"tags":[],"class_list":["post-8082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-conference","category-digital-culture","category-exhibition","category-projects","category-proposals","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8082"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8082\/revisions"}],"predecessor-version":[{"id":8084,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8082\/revisions\/8084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/8083"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}