{"id":8434,"date":"2017-12-27T11:51:36","date_gmt":"2017-12-27T09:51:36","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=8434"},"modified":"2017-12-28T12:01:41","modified_gmt":"2017-12-28T10:01:41","slug":"call-one-off-moving-image-festival-2018","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=8434","title":{"rendered":"call: One-Off Moving Image Festival 2018"},"content":{"rendered":"<p>Deadline: 1 February 2018<br \/>\nCall for entries<\/p>\n<p>One-Off Moving Image Festival 2018<\/p>\n<p>Noemata is exited to invite artists and film-makers to participate in this first edition of One-Off Festival!<br \/>\nWe&#8217;re looking for one second moving images on the theme of &#8216;Home is&#8230;&#8217;.<\/p>\n<p>All movies will be screened during the festival February 19-25, 2018 in public, urban spaces in Valencia, Spain, in addition to the net.<br \/>\nA selection, possibly of all, of the movies will also be screening in parallel at 60Seconds Festival in Copenhagen, Denmark.<br \/>\nIn addition, all movies will be included in the next Leap Second Festival, an irregular x-ennale lasting one second.<\/p>\n<p>One-Off will award two selected videos a symbolic prize:<br \/>\nJury Award: 1500 NOK.<br \/>\nAudience Award: 800 NOK.<br \/>\n(If at the time of the festival we have gathered support and funds we&#8217;ll raise the award amounts accordingly).<\/p>\n<p>Deadline for participation: February 1, 2018.<\/p>\n<p>    1 second short<br \/>\n    original material<br \/>\n    no credits<br \/>\n    about: HOME IS&#8230;<br \/>\n    4&#215;3 aspect ratio, mp4\/gif formats <\/p>\n<p>Submission and contact: <a href=\"mailto:one-off@noemata.net\">one-off@noemata.net<\/a><\/p>\n<p>Be sure to also check out 60Seconds Festival&#8217;s open call for 1 minute movies. Their awards are much better!<\/p>\n<p>For more information, continue reading&#8230;<\/p>\n<p>Theme for the 2018 festival:<br \/>\nHOME IS&#8230;<br \/>\nKeywords: Habitat, safety, homesick, refuge, the right to a home,<br \/>\nmigration, homeless, retreat, the making of a home, precarity,<br \/>\ntechnology-induced precarity, material or psychological welfare or lack<br \/>\nof it.<\/p>\n<p>Home provides shelter, security and the shield from where we can look at<br \/>\nthe world. Homes are an integral part of complex social structures,<br \/>\nadapting and taking form after cultural and geographical environments.<br \/>\nEveryday millions from around the world are forced to flee their homes,<br \/>\nsome search for a new safe haven holding on to the figth of building new<br \/>\nlives elsewhere, others accept their new situation becoming a paradox of<br \/>\nthe world&#8217;s metropolis.<\/p>\n<p>What does home mean on the net? A virtual environment in which we are<br \/>\nneither here nor there, and always on the other side of the screen. What<br \/>\nis a virtual home?<br \/>\nHow does technology empower or impoverish a sense of safety and<br \/>\nbelonging? Or coupled with a globalization without borders, and another<br \/>\none with walls? Or privacy-intrusing surveillance and tracking?<br \/>\nCompatible with a home?<br \/>\nThe awkwardness of a one second movie about home emphasizes a strained<br \/>\nrelation between technology and precarity. How pervasive technology<br \/>\nallows for a self-precarization, a return to a nomadic or possibly<br \/>\ndislocated way of life, a hunter-gatherer of jobs, money, material or<br \/>\ngeneral welfare. Are we satisfied carrying our homes with us? A recent<br \/>\nstudy showed that teenagers would prefer breaking an arm to breaking<br \/>\ntheir smart phone.<br \/>\nThe one second format is almost like an empty message, like the snapchat<br \/>\n&#8216;streak&#8217; &#8211; a meaningless, random image just serving to keep the daily<br \/>\ncommunication going. And not unlike the computer-command ping, meant to<br \/>\ncheck whether the network and destination is alive. It reminds of the<br \/>\nobsolete &#8216;HERE IS&#8217;-key on old computers or teleprinters, it identified<br \/>\nyou on a network once you pressed the key.<br \/>\nThe home key on an english keyboard today, mostly brings you to the<br \/>\nstart of a document, the top of a page, in a sense, to the start of your<br \/>\nown history as a human browser &#8211; home as your starting point. But where<br \/>\nare you when you hit the end key &#8211; have you come home like you would in<br \/>\nreal life &#8211; home as also an end point? Where are we at the end of<br \/>\nhistory? With our knowledge and consciousness of an ultimate end to<br \/>\nourselves and the world, does it make home an even more cherished<br \/>\nnotion, in spite of its impossibility? A tiny flash in the dark? But<br \/>\nwhen you _are_ that flash, it makes a difference, to be what you are, a<br \/>\nperspective from home, a &#8216;here is&#8217;-message, no beginning, no end.<\/p>\n<p>About the festival:<br \/>\nOne-Off Moving Image Festival is collaborating with 60Seconds Festival<br \/>\nfor call, theme, movies and screenings, and both festivals run in<br \/>\nparallel February 19-25 (Monday-Sunday) 2018. We&#8217;ll be sharing the works<br \/>\nso the screenings will be a mix of 1 minute and 1 second movies. One-Off<br \/>\nwill focus on virtual screenings using routers and wireless technology,<br \/>\nwhile 60Secs will make physical screenings using projectors. We both use<br \/>\npublic, urban settings as the exhibition space.<\/p>\n<p>One-Off is an offspring of the Leap Second Festival, an x-ennale lasting<br \/>\none second (three former editions 2012, 2015, 2016\/2017). Since the leap<br \/>\nseconds are inserted into clock-time irregularly we wanted in addition<br \/>\nto have a yearly festival of one second movies, also to be able to run<br \/>\nin parallel with 60Secs festival. 60Secs on their side has more than ten<br \/>\nyears of experience in organizing screenings of short movies in public<br \/>\n(streets, walls, metro).<\/p>\n<p>In autumn 2017 Leap Second Festival and 60Secs collaborated on 6<br \/>\nscreenings in Europe consisting of movies from both, with the practise<br \/>\nof mixing short and ultra-short movies. More info. This in turn lead up<br \/>\nto the establishment of the One-Off festival. We&#8217;re running it without<br \/>\nfunds for the moment, in line with a &#8216;streak&#8217;\/&#8217;here is&#8217;-format and the<br \/>\ntheme of home, technology, precarity<\/p>\n<p>Jury for One-Off Festival 2018: To be announced.<\/p>\n<p>Web: <a href=\"http:\/\/noemata.net\/one-off\/\" rel=\"noopener\" target=\"_blank\">http:\/\/noemata.net\/one-off\/<\/a><br \/>\nPlease forward and share the call: fb event<\/p>\n<p>Looking forward to your participation!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadline: 1 February 2018 Call for entries One-Off Moving Image Festival 2018 Noemata is exited to invite artists and film-makers to participate in this first edition of One-Off Festival! We&#8217;re [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,84,7],"tags":[],"class_list":["post-8434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-festival","category-filmvideo","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8434"}],"version-history":[{"count":2,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8434\/revisions"}],"predecessor-version":[{"id":8438,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8434\/revisions\/8438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/8435"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}