{"id":8510,"date":"2018-02-17T17:51:02","date_gmt":"2018-02-17T15:51:02","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=8510"},"modified":"2018-06-12T11:36:33","modified_gmt":"2018-06-12T09:36:33","slug":"call-share-prize","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=8510","title":{"rendered":"call: Share Prize"},"content":{"rendered":"<p>Deadline: 26 February 2018<br \/>\nCall for entries<\/p>\n<p>SHARE FESTIVAL XIII EDITION<\/p>\n<p>FRANKENSTEIN: IL MODERNO PROMETEO<\/p>\n<p>Dead line: 26 February 2018<\/p>\n<p>Two hundred years ago this year, \u00e2\u20ac\u0153Frankenstein\u00e2\u20ac\u009d  was first published.  The author kept herself anonymous, so that no one would guess that she was a radical teenage feminist who had run off to Italy. Victor Frankenstein is a bright Swiss college student with a private lab.  Victor secretly hacks dead bodies and builds a giant.  One dark night, Victor \u00e2\u20ac\u0153infuses the spark of being\u00e2\u20ac\u009d into his superhuman creation.   <\/p>\n<p>But \u00e2\u20ac\u0153Frankenstein\u00e2\u20ac\u2122s Monster\u00e2\u20ac\u009d never gets a name. He does have a mother \u00e2\u20ac\u201d Mary Wollstonecraft Shelley \u00e2\u20ac\u201d but he has never had any legal identity, not for two hundred years.   Illegal, unethical, penniless and not even human, he\u00e2\u20ac\u2122s the ultimate clandestine refugee. This Nameless One has no family, no friends and no legal papers. He\u00e2\u20ac\u2122s a citizen of nowhere,  lurching off the design table into a troubled, fragmented world of epic Greek mythic passions and torch-and-pitchfork mob riots.  The Nameless One wanders the globe.  He listens and learns by  spying on people.  Often he does free favors, and even works hard for no pay.  Yet despite all these conveniences, people never trust the Monster.  He  exists; he grows ever bolder, stronger and more capable; but he can never really be one of us. When he \u00e2\u20ac\u0153friends\u00e2\u20ac\u009d people,  the alien becomes even less human. He becomes a troll; he rants, rages, demands a female soul-mate,  and plots cruel reprisals on innocent brides.  Those who know him best are the ones who dread him worst.<\/p>\n<p>Must the Modern Prometheus suffer for his gift of fire? <\/p>\n<p>Must he be chased down with torches by an angry and panicking user-base? <\/p>\n<p>Will Silicon Valley ever have a Hollywood happy ending?  <\/p>\n<p>SHARE FESTIVAL XIII is about the many powerful entities mankind has built, that are active among us, huge, strong, unloved, scary, mythic and Romantically tragic.  They are alive! \u00e2\u20ac\u201d but we are the children of Mary Shelley, and of Byron\u00e2\u20ac\u2122s daughter Ada Lovelace.  What about them \u00e2\u20ac\u201d and what about us?<\/p>\n<p>Jasmina Te\u00c5\u00a1anovic  <\/p>\n<p>The Share Prize XI edition jury, meant to evaluate the artistic responses to the genuinely \u00e2\u20ac\u0153monstrous\u00e2\u20ac\u009d aspects of technology is composed by: R\u00c3\u00a9gine Debatty, Laura Milani, Daniele Terzoli, Jasmina Tesanovic and Bruce Sterling.<\/p>\n<p>The judges will short-list six nominees for the prize, who will be invited to exhibit at the customary Share Prize exhibition in Turin in May 2018. The names of the short-listed finalists will be announced by the end of March 2018.<\/p>\n<p>Share Prize Competition XI<br \/>\n<a href=\"https:\/\/www.toshareproject.it\/tshr\/wp-content\/uploads\/01_Bando_PRIZE_EN2018.pdf\" rel=\"noopener\" target=\"_blank\">https:\/\/www.toshareproject.it\/tshr\/wp-content\/uploads\/01_Bando_PRIZE_EN2018.pdf<\/a><\/p>\n<p>Take part in the competition<br \/>\n<a href=\"https:\/\/goo.gl\/forms\/rTIjFq1LguO9igUP2\" rel=\"noopener\" target=\"_blank\">https:\/\/goo.gl\/forms\/rTIjFq1LguO9igUP2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadline: 26 February 2018 Call for entries SHARE FESTIVAL XIII EDITION FRANKENSTEIN: IL MODERNO PROMETEO Dead line: 26 February 2018 Two hundred years ago this year, \u00e2\u20ac\u0153Frankenstein\u00e2\u20ac\u009d was first published. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,84,15,54],"tags":[],"class_list":["post-8510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-festival","category-new-media","category-prize","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8510"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8510\/revisions"}],"predecessor-version":[{"id":8512,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8510\/revisions\/8512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/8511"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}