{"id":8855,"date":"2018-10-27T09:00:04","date_gmt":"2018-10-27T07:00:04","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=8855"},"modified":"2018-11-15T11:12:06","modified_gmt":"2018-11-15T09:12:06","slug":"call-xcoax-2019","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=8855","title":{"rendered":"call: xCoAx 2019"},"content":{"rendered":"<p>deadline: 31 January 2019<br \/>\nCall for entries<\/p>\n<p>xCoAx 2019: 7th International Conference on Computation, Communication, Aesthetics and X<br \/>\n(3-5 July 2019, Milan)Dates: 3-5 July 2019<br \/>\nLocation: Milan, Italy<br \/>\nWebsite: <a href=\"http:\/\/xcoax.org\/\" rel=\"noopener\" target=\"_blank\">http:\/\/xcoax.org\/<\/a><\/p>\n<p>xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.<\/p>\n<p>xCoAx has been an occasion for international audiences to meet and exchange ideas, in search of interdisciplinary synergies among computer scientists, artists, media practitioners, and theoreticians at the threshold of digital arts and culture. Previous editions of xCoAx took place in Madrid in 2018, Lisbon in 2017, Bergamo in 2016 and 2013, Glasgow in 2015, and Porto in 2014.<\/p>\n<p>The focus of xCoAx is on the unpredictable overlaps between the chaos and freedom of creativity and the rules and determinism of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.<\/p>\n<p>In 2019 xCoAx will take place in Milan, in and around Politecnico di Milano, in the Citt\u00c3\u00a0 Studi area.<br \/>\nTopics<\/p>\n<p>You are invited to submit theoretical, practical or experimental research work that includes but is not limited to the following topics:<\/p>\n<p>* Computation<\/p>\n<p>* Communication<\/p>\n<p>* Aesthetics<\/p>\n<p>* X<\/p>\n<p>* Algorithms \/ Systems \/ Models<\/p>\n<p>* Artificial Aesthetics<\/p>\n<p>* Artificial Intelligence<\/p>\n<p>* Audiovisuals \/ Multimodality<\/p>\n<p>* Creativity<\/p>\n<p>* Design<\/p>\n<p>* Interaction<\/p>\n<p>* Games<\/p>\n<p>* Generative Art \/ Design<\/p>\n<p>* History<\/p>\n<p>* Mechatronics \/ Physical Computing<\/p>\n<p>* Music \/ Sound Art<\/p>\n<p>* Performance<\/p>\n<p>* Philosophy of Art \/ of Computation<\/p>\n<p>* Technology \/ Ethics \/ Epistemology<br \/>\nImportant dates<\/p>\n<p>Submission deadline: January 31<\/p>\n<p>Notifications: March 20<\/p>\n<p>Registration deadline for authors: April 30<\/p>\n<p>Delivery of final versions: April 30<\/p>\n<p>Doctoral symposium: July 3<\/p>\n<p>Exhibition opening: July 3<\/p>\n<p>Conference: July 4 &#038; 5<br \/>\nSubmission categories<br \/>\nPaper: 5 to 10 pages conference paper, following the formatting in the Word template at <a href=\"http:\/\/xcoax.org\/xCoAx_2019_Paper_Template.docx\" rel=\"noopener\" target=\"_blank\">http:\/\/xcoax.org\/xCoAx_2019_Paper_Template.docx<\/a> Revision of papers will be double-blind. Please make sure that the PDF file is completely anonymized (i.e. omits author-related information in body of text or as explicit self-citations, notes and bibliography). Accepted papers will be published in the conference proceedings and allotted 15 minutes presentation time at the conference.<\/p>\n<p>Artwork \/ Performance: 3 to 4 page description paper, following the formatting in the Word template at <a href=\"http:\/\/xcoax.org\/xCoAx_2019_Artwork_Performance_Template.docx\" rel=\"noopener\" target=\"_blank\">http:\/\/xcoax.org\/xCoAx_2019_Artwork_Performance_Template.docx<\/a> Revision of proposals will be double-blind. Proposals should provide a clear description of the work, one or more URLs for access to relevant media assets, and a technical rider (layout, setup, required equipment). All accepted works will be allotted 7 minutes presentation time at the conference. Artworks will be part of the exhibition, performances will be allotted a maximum of 30 minutes on stage during the performance night. The proceedings will publish an extended abstract to be provided by the authors after the conference.<\/p>\n<p>Doctoral symposium: Only Master\u00e2\u20ac\u2122s and PhD students can apply to present their work-in-progress and receive feedback from established researchers. Submit a document, following the formatting in the Word template at <a href=\"http:\/\/xcoax.org\/xCoAx_2019_DoctoralSymposium_Template.docx\" rel=\"noopener\" target=\"_blank\">http:\/\/xcoax.org\/xCoAx_2019_DoctoralSymposium_Template.docx<\/a>, comprised of a letter of support from your advisor followed by a 2-page research paper with 1) Purpose of the research and its importance to the field; 2) Brief survey of background and related work; 3) Description of the proposed approach; 4) Expected contributions; 5) Progress towards goals. The title of your submission should start with \u00e2\u20ac\u0153DS:\u00e2\u20ac\u009d, e.g. \u00e2\u20ac\u0153DS: Parametrisation in Visual Art\u00e2\u20ac\u009d. Revision of proposals will be single-blind. A revised version will be requested for inclusion in the proceedings after the symposium. Previous xCoAx Doctoral Symposia were chaired by Frieder Nake, Philip Galanter, and Mario Klingemann. In 2019 the Doctoral Symposium chairs will be Simona Chiodo and Philip Galanter.<br \/>\nAdditional information and submission details<\/p>\n<p>* All works must be submitted via EasyChair: <a href=\"https:\/\/easychair.org\/conferences\/?conf=xcoax2019\" rel=\"noopener\" target=\"_blank\">https:\/\/easychair.org\/conferences\/?conf=xcoax2019<\/a><\/p>\n<p>* Submissions must be original and will be rigorously reviewed by an international and multidisciplinary scientific committee, in a process that will assess originality, relevance, artistic and technical achievements;<\/p>\n<p>* Submissions should be presented as .pdf files with all the media files embedded or linked to online resources;<\/p>\n<p>* Final versions for publication should be delivered in .docx with all the images and other media files attached as independent files;<\/p>\n<p>* All images and media assets must be cleared for publication by the authors;<\/p>\n<p>* At least one of the authors of each selected contribution must register to the conference before the first author registration deadline in order for the work to be published in the proceedings;<\/p>\n<p>* xCoAx\u00e2\u20ac\u2122s working language is English;<\/p>\n<p>* xCoAx\u00e2\u20ac\u2122s conference proceedings (with ISBN) will be published online;<\/p>\n<p>* A selection of works will be published in a forthcoming special issue of CITAR\u00e2\u20ac\u2122s Journal of Science and Technology of the Arts;<\/p>\n<p>* Please contact the program chairs at <a href=\"mailto:info@xcoax.org\">info@xcoax.org<\/a> with any questions regarding submissions.<br \/>\nConference format<\/p>\n<p>Wednesday July 3 afternoon: Doctoral symposium.<\/p>\n<p>Wednesday July 3 evening: Opening of the exhibition, reception cocktail.<\/p>\n<p>Thursday July 4: Conference, keynote, performances. Presentations will be organised in panels chaired by a moderator that will lead a final discussion with authors and audience. A guest keynote will close the day.<\/p>\n<p>Thursday July 4 evening: Performances.<\/p>\n<p>Friday July 5: Conference, keynote, artworks and performances session. The morning will be dedicated to further paper panels, while in the afternoon, the artworks and performances presentations will take place, networking authors and audience. A second keynote address will close the day.<\/p>\n<p>Friday July 5 evening: Conference dinner.<br \/>\nRegistration<\/p>\n<p>Author registration: \u00e2\u201a\u00ac 220 \u00e2\u20ac\u201d before April 15th. One author per paper. Includes entry to conference, performances, and conference dinner.<\/p>\n<p>Reduced registration: \u00e2\u201a\u00ac 90 \u00e2\u20ac\u201d Non-presenting co-authors, authors without academic affiliation, general public. Includes entry to conference and performances, and conference dinner.<\/p>\n<p>Doctoral symposium: \u00e2\u201a\u00ac 90 \u00e2\u20ac\u201d Includes entry to conference and performances, and conference dinner.<\/p>\n<p>Conference dinner: \u00e2\u201a\u00ac 30 \u00e2\u20ac\u201d Open to non-registered accompanying persons.<\/p>\n<p>Registrations will open after the notifications of the reviews (March 2019).<\/p>\n<p>Scientific committee<br \/>\nAdriana S\u00c3\u00a1 &#8211; ESAD\/CICANT<br \/>\nAlessandro Ludovico &#8211; Winchester School of Art, University of Southampton \/ Neural<br \/>\nAlice Eldridge &#8211; University of Sussex<br \/>\nAndr\u00c3\u00a9 Rangel &#8211; CITAR<br \/>\nAndreas Broeckmann &#8211; Leuphana Arts Program, L\u00c3\u00bcneburg<br \/>\nAndreas Muxel &#8211; Faculty of Design at University of Applied Sciences Augsburg<br \/>\nAndreas Zingerle &#8211; independent artist<br \/>\nAndres Burbano &#8211; School of Architecture and Design, Universidad de los Andes, Colombia<br \/>\nAnne Balsamo &#8211; University of Texas at Dallas<br \/>\nAnnek\u00c3\u00a9 Pettican &#8211; Department Lead Art &#038; Communication, University of Huddersfield<br \/>\nArne Eigenfeldt &#8211; Simon Fraser University<br \/>\nBoris Debackere &#8211; V2 \/ Luca School of Arts<br \/>\nCarlos Guedes &#8211; New York University Abu Dhabi<br \/>\nChara Lewis &#8211; Manchester School of Art, Manchester Metropolitan University<br \/>\nChristian Faubel &#8211; independent artist<br \/>\nCris Arguelles &#8211; Universidad Polit\u00c3\u00a9cnica de Madrid \/ ETH Zurich<br \/>\nCristina S\u00c3\u00a1 &#8211; CITAR \/ Portuguese Catholic University, School of Arts<br \/>\nDale Macdonald &#8211; University of Texas at Dallas<br \/>\nDaniel Schorno &#8211; STEIM<br \/>\nDaphne Dragona &#8211; Transmediale<br \/>\nDavid Pirr\u00c3\u00b2 &#8211; Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz<br \/>\nEduardo Roig &#8211; Universidad Polit\u00c3\u00a9cnica de Madrid<br \/>\nEmilio L\u00c3\u00b3pez Galiacho &#8211; Universidad Nebrija \/ ESNE<br \/>\nFilipe Pais &#8211; Ensadlab, Ensad, Paris<br \/>\nFrancisco Cardoso Lima &#8211; Independent Artist, Aveiro<br \/>\nFrieder Nake &#8211; University of Bremen &#038; Hochschule f\u00c3\u00bcr K\u00c3\u00bcnste Bremen<br \/>\nGonzalo Pardo &#8211; Universidad Polit\u00c3\u00a9cnica de Madrid<br \/>\nHanns Holger Rutz &#8211; University of Music and Performing Arts Graz<br \/>\nHeitor Alvelos &#8211; ID+ \/ Faculty of Fine Arts, University of Porto<br \/>\nIrina Spicaka &#8211; CC4AV<br \/>\nJo\u00c3\u00a3o Cordeiro &#8211; CITAR \/ University of West London<br \/>\nJason Reizner &#8211; Bauhaus-Universit\u00c3\u00a4t Weimar<br \/>\nJon He Massey &#8211; University<br \/>\nJon McCormack &#8211; Monash University<br \/>\nJulio D&#8217;Escriv\u00c3\u00a1n &#8211; University Of Huddersfield<br \/>\nKristin Mojsiewicz &#8211; Edinburgh College Of Art, University Of Edinburgh<br \/>\nLinda Kronman &#8211; independent artist<br \/>\nLuc\u00c3\u00ada Jal\u00c3\u00b3n Oyarzun &#8211; Universidad Polit\u00c3\u00a9cnica De Madrid<br \/>\nLu\u00c3\u00ads Gustavo Martins &#8211; CITAR \/ Portuguese Catholic University<br \/>\nLu\u00c3\u00adsa Ribas- CIEBA \/ Faculty Of Fine Arts, University Of Lisbon<br \/>\nManuela Naveau &#8211; Ars Electronica<br \/>\nMario Verdicchio &#8211; Universit\u00c3\u00a0 degli Studi di Bergamo<br \/>\nMartin Kaltenbrunner &#8211; Kunstuniversit\u00c3\u00a4t Linz<br \/>\nMiguel Carvalhais &#8211; INESC TEC \/ Faculty Of Fine Arts, University Of Porto<br \/>\nMitchell Whitelaw &#8211; College Of Arts And Social Sciences, Australian National University<br \/>\nMona Kasra &#8211; University Of Virginia<br \/>\nNathan Wolek &#8211; Stetson University<br \/>\nNuno N. Correia &#8211; University Of Greenwich<br \/>\nPatr\u00c3\u00adcia Jo\u00c3\u00a3o Reis &#8211; University Of Applied Arts Vienna, Austria, Department Of Digital Arts<br \/>\nPaulo Ferreira Lopes &#8211; Portuguese Catholic University, School Of Arts<br \/>\nPedro Cardoso &#8211; INESC TEC \/ Faculty Of Fine Arts, University Of Porto<br \/>\nPenousal Machado &#8211; University Of Coimbra<br \/>\nPhilip Galanter &#8211; Texas A&#038;M University<br \/>\nRicardo Melo &#8211; CEOS.PP \/ Polytechnic Of Porto. Porto Accounting And Business School<br \/>\nRodrigo Hern\u00c3\u00a1ndez-Ram\u00c3\u00adrez &#8211; Instituto de Arte, Design e Empresa (IADE)<br \/>\nRosemary Lee &#8211; IT-University Copenhagen<br \/>\nRoxanne Leit\u00c3\u00a3o &#8211; Central Saint Martins, University Of The Arts London<br \/>\nRui Penha &#8211; INESC TEC \/ Feup<br \/>\nRui Torres &#8211; Electronic Literature Organization \/ Faculty Of Human And Social Sciences, University Fernando Pessoa, Porto<br \/>\nSamuel Van Ransbeeck &#8211; UCP\/CITAR<br \/>\nSophie-Carolin Wagner &#8211; Austrian National Library \/ RIAT<br \/>\nShusha Niederberguer &#8211; House Of Electronic Arts Basel<br \/>\nTim Boykett &#8211; Time&#8217;s Up<br \/>\nTitus Von Der Malsburg &#8211; Department Of Linguistics, University Of Potsdam<br \/>\nThor Magnusson &#8211; University Of Sussex \/ Ixi Audio<br \/>\nValentina Nisi &#8211; University Of Madeira<br \/>\nValentina Vuksic &#8211; Zurich University of the Arts<br \/>\nVictoria Bradbury &#8211; University Of North Carolina, Asheville<br \/>\nOrganizing committee<\/p>\n<p>Andr\u00c3\u00a9 Rangel &#8211; CITAR<br \/>\nJason Reizner &#8211; Bauhaus-Universit\u00c3\u00a4t Weimar<br \/>\nLu\u00c3\u00adsa Ribas &#8211; CIEBA \/ Faculty of Fine Arts, University of Lisbon<br \/>\nMario Verdicchio &#8211; Universit\u00c3\u00a0 degli Studi di Bergamo (Chair)<br \/>\nMiguel Carvalhais &#8211; INESC TEC \/ Faculty of Fine Arts, University of Porto<br \/>\nLocal organizing committee<br \/>\nMarco Santambrogio &#8211; Politecnico di Milano \/ NECTS, iDRESD<br \/>\nSara Notargiacomo &#8211; Politecnico di Milano \/ NECTS, iDRESD<\/p>\n<p>Contacts<br \/>\n<a href=\"mailto:info@xcoax.org\">info@xcoax.org<\/a><br \/>\nhttp:\/\/xcoax.org<br \/>\n<a href=\"https:\/\/twitter.com\/xcoaxorg\" rel=\"noopener\" target=\"_blank\">https:\/\/twitter.com\/xcoaxorg<\/a><br \/>\n<a href=\"http:\/\/facebook.com\/xcoax.org\" rel=\"noopener\" target=\"_blank\">http:\/\/facebook.com\/xcoax.org<\/a><br \/>\n<a href=\"https:\/\/www.instagram.com\/xcoaxorg\/\" rel=\"noopener\" target=\"_blank\">https:\/\/www.instagram.com\/xcoaxorg\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>deadline: 31 January 2019 Call for entries xCoAx 2019: 7th International Conference on Computation, Communication, Aesthetics and X (3-5 July 2019, Milan)Dates: 3-5 July 2019 Location: Milan, Italy Website: http:\/\/xcoax.org\/ [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8856,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,40],"tags":[],"class_list":["post-8855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-conference","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8855"}],"version-history":[{"count":3,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8855\/revisions"}],"predecessor-version":[{"id":8859,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8855\/revisions\/8859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/8856"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}