{"id":8898,"date":"2018-10-19T12:15:02","date_gmt":"2018-10-19T10:15:02","guid":{"rendered":"http:\/\/netex.nmartproject.net\/?p=8898"},"modified":"2018-10-19T12:15:02","modified_gmt":"2018-10-19T10:15:02","slug":"call-hz-online-journal","status":"publish","type":"post","link":"https:\/\/netex.nmartproject.net\/?p=8898","title":{"rendered":"call: HZ Online Journal"},"content":{"rendered":"<p>Deadline: 15 November 2018<br \/>\nCall for entries<\/p>\n<p>Call For Articles<\/p>\n<p>Online journal Hz (<a href=\"http:\/\/www.hz-journal.org\" rel=\"noopener\" target=\"_blank\">http:\/\/www.hz-journal.org<\/a>) is looking for articles on New Media, Audio-Visual Performance, Sound Art, Electro-Acoustic Music, Virtual World, and Social Media. We accept earlier published and unpublished articles in English. Please send your submissions hz-journal@telia.com<\/p>\n<p>Deadline: 15 November, 2018<\/p>\n<p>Hz is published by the non-profit organisation Fylkingen in Stockholm. Established in 1933, Fylkingen has been known for introducing yet-to-be-established art forms throughout its history. Nam June Paik, Stockhausen, Cage, Stelarc, etc. have all been introduced to the Swedish audience through Fylkingen. Its members consist of leading composers, musicians, sound artists, dancers, performance artists and video artists in Sweden.<br \/>\nFor more information on Fylkingen, please visit <a href=\"http:\/\/www.fylkingen.se\/about\" rel=\"noopener\" target=\"_blank\">http:\/\/www.fylkingen.se\/about<\/a> or <a href=\"http:\/\/www.hz-journal.org\/n4\/hultberg.html\" rel=\"noopener\" target=\"_blank\">http:\/\/www.hz-journal.org\/n4\/hultberg.html<\/a><br \/>\nFor more information on Hz and Fylkingen&#8217;s publications, please visit <a href=\"http:\/\/www.hz-journal.org\/n19\/hayashi.html\" rel=\"noopener\" target=\"_blank\">http:\/\/www.hz-journal.org\/n19\/hayashi.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadline: 15 November 2018 Call for entries Call For Articles Online journal Hz (http:\/\/www.hz-journal.org) is looking for articles on New Media, Audio-Visual Performance, Sound Art, Electro-Acoustic Music, Virtual World, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8208,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,11],"tags":[],"class_list":["post-8898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-general","category-papers","has_thumb"],"_links":{"self":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8898"}],"version-history":[{"count":1,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8898\/revisions"}],"predecessor-version":[{"id":8899,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/posts\/8898\/revisions\/8899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=\/wp\/v2\/media\/8208"}],"wp:attachment":[{"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netex.nmartproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}